Ayasofya IV. Ceramic tile and decorative metal from the Ayasofia, polymer clay, stone tile, wood frame, acrylic paint.

You Do What You Can/ Three Dancers  SOLD

Opium Bottles SOLD

Dia de los Muertos  SOLD

Ayasofya II  SOLD

Ayasofya I  SOLD

Virgin of Guadalupe

Fleur de Lis SOLD

Aztec SOLD

Ayasofya III  SOLD

Shaman  SOLD

Trinity SOLD

Ancient Symbols SOLD

Red Bird

Maria

Following is a new bunch of small pieces that are built around relief images in polymer clay. The icon pieces were made from molds I fashioned from brass icons; some contemporary and some 200 years old (Russian in origin). I surrounded them with various other elements, from damaged frames from Katrina debris piles to bits of ribbon and beads, They vary in size, but most are around 4" x 6", with a couple that are larger.

Wax Icon  SOLD

Waldorf Astoria Flower

Virgin and Child, Blue and Gold  SOLD

Icon in Standing Frame  SOLD

RELIQUARY: IMAGES OF THE SACRED

Reliquaries are repositories for relics or other sacred objects. In this series, I have interpreted the reliquary in both a traditional and an avant-garde fashion. Many pieces in the series revolve around Christian themes. For some of these pieces, I have started with carved wood Santos from Latin America. In others, I have used plaster statues which I either dug out of debris piles or purchased in New Orleans antique shops. I have also created some pieces which allude to what I call the “everyday sacred.” One of these pieces pays homage to our feline companions, and others point to our reverence for the natural environment.

I chose to debut the show on the eve of Epiphany and the beginning of the 2008 Mardi Gras season for its symbolic significance. Celebrated in cultures around the world, the date has special significance here on the Gulf Coast. Especially in light of the devastation of our coast by Hurricane Katrina, it seems important to celebrate the advent of a joyous season. This new series is also a natural extension of The Katrina Collection, my series of assemblages which uses storm debris as a metaphor for rebirth.

Mary's Altar

St Francis and Friends

Breadbowl Saint 3

Breadbowl Saint 1

Nicosia Saint 4 SOLD

I have begun creating some new pieces I am calling Amulet Series. The most basic definition of an amulet is something that attracts good and repels bad, and I have long been fascinated with the magic elements of different beliefs around the world. I have also long been a victim of bead lust; I can't get enough of the beautiful textures, shapes and colors of beads from around the world. By combining amulets on leather thongs and other wearable art pieces with wall art, I am able to indulge my enthrallment with all of these elements. In this series, each work has at least one neck piece which may be removed to be worn, then returned to again be wall art.

"Yavapai" is another survivor, and is named after the area in Arizona where I was fortunate enough to live for several years. It is a mixed media construction with canvas, acrylic, leather, amber, and turquoise. It features two removable neckpieces with beads of turquoise and amber.

Cochise started with the beautiful pendant which makes the "head" of the figure. I paired it with another gorgeous stone, on the second neck piece, and a carved Chinese pendant on the third one. Beads are of bauxite, acrylic, glass, wood, and bone. I added pieces of dyed cheesecloth, handmade paper, a fossil fragment, Chinese clay and a hand of polymer clay to complete the piece. 22" x 16"

Goddess was inspired by the metal pendant which hangs down with the beads, I repeated the shape in the torn paper that covers the plywood support. I used several handmade papers, and stamped them with gold text. Chinese coins support the leather, and a face of polymer clay was added. Beads on the amulet neck piece are of glass, brass, resin and metal. 13" x 10"

Novena was created from a printers traywithin which are nestled crosses, rosaries and other religious items including novenas printed up on paper, rolled up and painted. The wood Santo is mounted on a window guard.  SOLD

Gothic Saint was created from a piece of plywood, a window guard, and a carved wood Santo.

Our Lady of the Gulf.  SOLD

Breadbowl Saint 11. 33" x 33"

St Francis of the Woods. My husband and I collaborated on this piece. Cairo is a very talented woodworker, and he carved the niche in the log , as well as the cross that graces the top. I designed the piece, painted the Santo, and carved the relief crosses in the bottom portion of the piece. 21" diameter and 28" tall. SOLD

Buddha in Temple was made from an acrylic Buddha and three dimensional frame, painted plywood, forks, Chinese coins and beads of bone and recycled glass from Ghana. SOLD

Sacred Heart was created from a wood Santo, a Mexican wood and metal cross, and a piece of painted plywood. 27" x 33" SOLD

Angel of Mercy was great fun to put together. I began with a series of tiles fashioned from polymer clay. I took the images from molds I had made from 200 year old Russian brass icons, and painted them with acrylics. They were glued to a support of mat board and plywood. I made the face and hands out of the clay also, and the body is an old tin ceiling tile that was liberated from pre-Katrina New Orleans. 12" x 14 1/2"

Old Timers' Cafe came together so easily, it almost made itself. The support piece is the back of a foundry mold which I hauled back from Virgina. The old photos were picked up in an antique shop in Richmond, and the clock came from a junk store in this area, as did the wooden alphabet block. The rusty bottle cap and screen door hook are bits of Katrina debris from my backyard.

Biloxi harvest SOLD

Reliquary II. SOLD

Buddha in a Temple SOLD

Saint in a Niche SOLD

Reliquary 1 SOLD

Icon and Altar SOLD

Guadelupe Green. SOLD

Four Crosses. SOLD

Ave Maria. SOLD

St Francis and Angel SOLD

Mystic Doll features two necklaces which may be removed from the piece. The doll figure of the central necklace was purchased in a Fair Trade store; it was made in Africa. I added the beads for the hair. The other necklace has beads of glass and lapis chips, as well as glass charms. The support is made from paper I have painted, as well as handmade papers, mounted on a plywood support, and glass "beach stones". 21" x 12"

"Ghost Shirt" is a mixed media construction which incorporates wood, leather, nails, seed pods, African carved and painted face, horsehair, tin cones, bovine teeth, and beads of bone, glass and shell, as well as African trade beads. It is inspired by the Ghost dance movement which swept the indigenous peoples of the Northern Plains in the late 1800s. The piece combines "wall art" with "wearable art" in that it features a removable neckpiece.